Written by Alina Rose Armstrong
LSTFI instructor Pat Kiely is an accomplished writer, director, producer and actor whose career is defined not only by talent but also by a commitment to collaboration. A Montreal native, he has built a reputation for creating stories that balance humor and authenticity — from original plays to festival-recognized features. In his classes at The Institute, Pat offers his wealth of knowledge and his belief in the power of self-expression, helping students explore their own voices as artists.
Discovering a Passion for the Arts
Born and raised in Montreal, Pat Kiely’s passion for the arts began with a simple yet profound connection to film and television. Like those who feel a deep “bond to music or a specific band,” Pat began to see himself reflected in the characters and stories he encountered on screen. He would spend evenings watching movies in his parents’ basement, recognizing how aspects of his life were caputred on screen in ways that deeply resonated with him. Inspired, he sought to contribute to the art of storytelling, bringing his own perspective and creativity to the medium. At just 16, he wrote his first screenplay, and by 18, he had penned his first play.
Pat’s passion only deepened as he continued his education, enrolling at Concordia University in Montreal to study film. Surrounded by a vibrant group of peers, he quickly began making short films and collaborating with fellow aspiring filmmakers. This community became a cornerstone of his career, with many early collaborators still part of his creative circle today. Pat also explored performance, acting in both his own and his peers’ short films. The group became known for their innovative live sketches and multimedia performances staged in bars across Canada.
Breaking Into the Industry
At 26, Pat made his feature film debut with Who is KK Downey? — a satirical stoner comedy about two aspiring hipsters and their bizarre scheme to gain fame and success. The story follows a failed artist who attempts to market his friend’s novel about a transgender prostitute by inventing a persona, KK Downey, to replace him as the author. Pat directed, produced, wrote, and starred in the film, marking a significant turning point in his career. The film garnered attention in the indie film world and secured a place in the festival circuit.
Traveling with the film and meeting like-minded filmmakers opened Pat’s eyes to new creative opportunities and expanded his understanding of what was possible within independent cinema. The experience bolstered his appreciation for the craft and strengthened his sense of community within the industry. Alongside his collaborators, Pat secured representation and sparked significant interest in his writing as the indie film world eagerly awaited what he would do next.
Although it would take five years before he secured funding for another film, this period was not without growth. During his late 20s, Pat’s acting career flourished with projects like Being Human and Good Neighbours. Despite his growing success in network shows and films, his commitment to writing never wavered.
Three Night Stand
Pat began writing Three Night Stand to reconnect with the things that truly mattered — creating something genuine and close to home. Set in Montreal and the surrounding Laurentians, the romantic comedy follows a young couple whose marriage is tested when the husband encounters his ex-girlfriend. The film captures the messiness of love, the challenges of staying connected, and the delicate moments that can either heal or deepen the divide between two people.
Like Who Is KK Downey?, Three Night Stand found its place in prestigious festival circuits, including the highly competitive festival Slamdance, where it screened alongside other standout Canadian films. The film’s success marked a creative milestone for Pat, reaffirming his belief that true storytelling comes from the places and experiences that shape us most.
Teaching at The Institute
Pat’s distinctive talent for crafting material that profoundly resonates with audiences has only deepened over time. This talent extends to his skills as a collaborator and mentor. His classes at The Institute showcase his ability to guide others with expertise and generosity. Students regard Pat as one of the most selfless and supportive instructors, who creates an environment where they feel comfortable and free to be their most authentic selves.
Pat believes his time teaching has been mutually enriching. While it allowed him to share his knowledge, he was equally moved by the students’ “courage to explore complex emotions and tackle challenging material.” Hearing their stories — particularly those of young actors navigating life in New York — left a lasting impact on him, reminding him of his own struggles as an emerging artist.
The Square
While teaching at The Institute, Pat finished writing his play The Square, set during a wedding anniversary celebration in an ultra-liberal Montreal family. The dark comedy follows Mack, the 26-year-old daughter, who returns home and reveals she’s become a sex worker — soon to be featured by New York Magazine as “New York’s Highest Paid Escort.” Amidst a haze of alcohol and family tension, two generations clash over her unconventional choices, leading to an unexpected showdown.
The Square received positive reception in Canadian theater circles, with critics praising its sharp wit, insightful commentary on family dynamics, and the rawness of its emotional moments. The play garnered such widespread praise that Pat was invited to participate in The Inkwell Theatre Development LAB in Los Angeles. The unique program is designed to immerse playwrights in a collaborative workshop process, bringing writers, directors, and actors together in the rehearsal room. The LAB program allowed Pat to refine his work through direct artistic collaboration, gaining invaluable insights and feedback from a talented cast and experienced director.
Up Next: Mile End Kicks
Pat’s creative focus has now shifted to producing. Currently, he’s excited to be working on Mile End Kicks, starring Barbie Ferreira and directed by his longtime friend Chandler Levack. The rom-com follows a young music critic who becomes romantically involved with two members of an indie rock band in Montreal. The film captures the anxieties and charm of young adulthood with humor, heart, and originality.
Pat has long admired Chandler’s rare ability to blend humor and style. When he saw her vision for Mile End Kicks, he took a leap of faith and dedicated himself to securing the funding needed to bring it to life. Pat’s genuine passion for storytelling and commitment to projects that truly matter to him live at the heart of this collaboration. He’s thrilled to support Chandler’s creative journey, knowing they can create something entirely original and meaningful together.
Pat’s success speaks to more than just his technical skill. His career reveals the powerful impact of collaboration and authentic storytelling. Whether developing new projects or guiding students at The Institute, he continues to connect and inspire.