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Isabella Uzcátegui joins Theater Mitu

LSTFI alumna Isabella Uzcátegui has become an official member of Theater Mitu! Founded by Rubén Polendo, Theater Mitu is an artistic company that seeks to use art-making as a mode of research.

Backstage: They Got Cast!

Since the inception of Backstage’s “I Got Cast”, a recurring series detailing the ways that the famed publication has been a reliable tool for up-and-coming actors, countless LSTFI alumni have been featured!

WINE AND PIZZA

Sisters Melissa and Liz have had a strained relationship over the years, but especially since the death of their father three years ago. “Wine and Pizza” is an examination of the human spirit during one family’s heartache, dysfunction, and survival.

STUDENT STORIES: CHARLES

LSTFI student, Charles was born and raised in Nairobi, Kenya. In high school, he realized that theatre wasn’t just fun – it was his path.

Kelli O’Hara: Kiss Kate Goodbye

With seven Tony nominations – including a win for 2015’s The King and I – Kelli O’Hara is Broadway royalty and one of the many great LSTFI alumni working today.

Geoffrey Horne: A True Emotional Life

Each summer, beloved LSTFI Method Acting instructor Geoffrey Horne directs an annual Shakespeare production as part of his theatre company, Shakespeare Downtown.

The Bittersweet Road to Sweetbitter

The life of an actor was never in the cards for LSTFI alumna Erica Pappas. Only considering acting as a hobby, teenage Erica applied to New York University on a whim after life threw a wrench into her plans.

WE ARE NOT WELL

Cover Photo for We Are Not Well

A failing American cruise ship conglomerate calls on an avant-garde theatre director to adapt Eugène Ionesco’s The Chairs to premiere on board as they launch a new route through The Bahamas. What could go wrong?

IN THE CHAIR: STRASBERG ON FYRE

Simone sits down with Trish Harnetiaux, Olivia Songer, and Blayze Teicher to discuss the 2019 Spring Practicum show: We Are Not Well.

STUDENT STORIES: NOAH

As an Asian actor, Noah has constantly been told that his race will affect how he is cast. Noah reflects on stereotyping, the evolution of the industry, and staying true to himself.