Stephen Adly Guirgis is a longtime member of NYC’s LAByrinth Theater Company. His plays have been produced on five continents and throughout the United States. They include: the extended, sold-out run of THE LAST DAYS OF JUDAS ISCARIOT, OUR LADY OF 121st STREET (named one of the ten best plays of 2003; Lucille Lortel, Drama Desk, Outer Critics Circle Best Play Nominations), JESUS HOPPED THE A TRAIN (Edinburgh Fringe First Award, Olivier Nomination as London’s Best New Play, Barrymore Award, “Detroit Free Press” Best Play Award), and IN ARABIA WE’D ALL BE KINGS (Ten Best of ’99, “TimeOut New York,” critics pick, “TimeOut London”). All four plays were originally produced by LAByrinth, directed by Philip Seymour Hoffman, and are published through Dramatists Play Service and by Faber & Faber. Stephen was awarded a 2004 TCG fellowship, attended the 2004 Sundance Screenwriter’s Lab, was named one of the 25 New Faces of Independent Film by “Filmaker Magazine,” and appeared in “Entertainment Weekly’s” 2005 Summer Must List. He has received new play commissions from Manhattan Theater Club and South Coast Rep, is a member of New Dramatists and the MCC Playwright’s Coalition, and has contributed to “ESOPUS” magazine. Television writing credits include “NYPD Blue,” “The Sopranos,” David Milch’s CBS drama “Big Apple,” and Shane Salerno’s NBC drama “UC: Undercover.” As an actor, he has appeared in Brett C. Leonard’s GUINEA PIG SOLO, produced at the Public Theatre in New York, and played leading roles inTodd Solondz’s “Palindromes,” and Brett C. Leonard’s award-winning “Jailbait,” opposite Michael Pitt. Currently, he is developing a project with Mos Def and HBO, and is writing his first feature film for Scott Rudin Productions, to be directed by George C. Wolfe. He lives in New York City.